Live @ Brutal Assault 2018

10 August 2018 – She spread sorrow live at Brutal Assault, the amazing festival in Czech Republic

Here is the complete program and line up



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Interview for Side-Line

New interview here for Side-Line.

‘CLICK INTERVIEW’ WITH She spread sorrow

When you ask Alice Kundalinii about the rather strange and intriguing name of her solo-project She Spread Sorrow she answers: ‘Sometimes in my life I felt like I was someone who spread pain and sorrow, and sometimes some people used these words about me. But after a hard period of my life, I choose to use this name, in the third person ‘she’ and not ‘I’, and in the past, not in the present. Like a cut. A point of restart’. After her debut-album “Rumspringa” (2015) and the “Mine”-vinyl album (2017) this Italian artist strikes back with the marvelous although somewhat ghost-like and tormented “Midori”-opus. All of her work has been released on Cold Spring and reveals a delicate and somewhat intimate death-industrial approach in sound. This is what Alice has to say about her new work.


Q: What means music to you and what do you try to express when composing songs as She Spread Sorrow?

Alice: It’s a way to expose the darkest part of myself and to put out of me all the pain and negative thoughts. A way to communicate. A way to condivide my experience and my feelings. A way to speak and to stay near with other people. And to stay well.

Q: You’ve been previously involved with other music projects so how did you come to set up a solo-project and what are your main sources of inspiration and eventually references when it comes to compose your music?

Alice: Yes, this project is strictly connected to my life and it’s really personal. I prefer to play alone in this moment and eventually collaborations in other projects. Sources of inspiration are movies, books, anime, my nightmares and visions or episodes of my life. “Mine” is inspired by the book “Mine Haha di Wedekind”. The name “Midori” is taken from Maruo. Other inspiration are the sounds of the first industrial Italian generation, like Atrax Morgue, Mathausen Orchestra, Teatro Satanico, Progetto Morte.

Q: She Spread Sorrow rather sounds as a mixture between different influences instead of a music style properly speaking. I think it precisely makes the originality of your music. What’s your own perception about it all?

Alice: Yes, it’s true. It’s difficult to me to stay in a precise genre, because what I do is really instinctive, spontaneous and sometimes the sounds just simply come out and that’s the right sound of that moment. The music is just an explanation of a state of mind and for this reason sometimes it’s far from other genre or other things I have done before

Q: Your newest work “Midori” deals about an interesting and I dare to affirm somewhat dystopian concept. Who’s Midori? What can you say about it?

Alice: Midori is a young girl. She has a really difficult story, she ran from her nightmares and from her wish of death. Her life is something connected to all what is dark, dirt, sick. Or better, that is her thought. Like she has a mark. The concept is mental illness; of Midori and her mother. It’s not connected to society. It’s just a story of mental disease and that name is really symbolic to me, so I chose that.

Q: I’ve been always fascinated about how transposing a conceptual theme into music. I mean how can a listener feel and understand the theme hiding behind noises, sound treatments, percussion… and of course the lyrics. What do you think and how did you work on it?

Alice: For me everything starts with a concept, with a vision. I can’t do anything without this. This is also my limit sometimes, but I need a story, something in which I fall inside.

Q: Why are there less female artists dealing with this kind of music while I think women often add something different and often more subtle to their work (referring to Shedir, ProtoU…)?

Alice: I am sure women will be more and more involved with this kind of music. It’s right, maybe the approach with sounds is just different in relation to male projects. I don’t know. But I like to collaborate with women…our visions are similar and immediate.



Photo by Stefano Majno

New Reviews of Midori

New reviews of Midori on Son Of Flies, Musique Machine, Ver Sacrum, Blow Up magazine.

Link and other reviews here.

Midori takes the listener through a winding corridor of dark soundscapes, crafted through a restrained use of electronics and Kudalini’s softly spoken vocals (almost whispered at times). As with Rumspringa, there is a story being told under all the dark electronics. The note accompanying the album speaks of “a house that is the scene of fear and anguish” and “a soul that is lost in pain to an epilogue of death and purification.” Music for me, especially that which resides within the experimental prism, often translates into images in my brain. It’s a vehicle for storytelling, even in the absence of words or what the artist may have intended. It’s very akin to a cinematic experience. And it is with this mindset that Midori weaves a bleak and wicked web in my mind.

From Musique Machine review by Hal Harmon

Review of Midori on Side-Line Reviews

REVIEW on Side-Line Reviews

She spread sorrow – Midori (CD Album – Cold Spring)

Genre/Influences: Industrial, death-industrial & ambient.

Background/Info: Alice Kundalini is back on track unleashing the third full length from her sonic project She Spread Sorrow.

Content: “Midori” is meant as an escape from a harsh reality that becomes an echo of nightmares and visions. That’s an interesting ‘concept”, which has been transposed and adapted into a spooky industrial work carried by the half spoken, whispering vocals of Alice Kundalini. Her way of performing the vocals is not only ghost-like, but also sensual. It creates a contrast with the industrial crashes and other oppressive, dark atmospheres this work has been recovered with. Echoing noises are emerging from everywhere, rapidly leading the listener into a paranoiac imaginary universe. You feel like walking in an empty space while ghost trains are passing by. Some heart-beating drones in the background are like accentuating this sensation of stupor.

+ + + : One of the main strengths of this work is the strong visual content. It’s a tormenting experience accomplished with a brilliant harmony between the vocals and the harder industrial soundscape. I really think there also is something like a ‘female’ touch only women can create when composing their music. Alice Kundalini accomplished a harsh and yet delicate work filled with subtle arrangements. There’s a real cool slow progression running through the tracks, which are leading the audience towards a dangerous climax.

– – – : If I really have to imagine a minus point about this album it would be the somewhat similar character of the tracks. There are for sure some climaxes running through this opus, but maybe not the ultimate apotheosis. That’s maybe because I prefer the opening cuts instead of the last ones.

Conclusion: She Spread Sorrow has invented a very own style creating an artistic and styled industrial work. This album is without a shadow of a doubt the most accomplished one so far.

Best songs: “Night One”, “To The Light”, “Escape”, “The House”.

Rate: (8½).

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Label: /

Link to the article